INTRODUCT

ION

We are living in a time of polycrisis, when extreme catastrophic scenarios are likely to take place in the near future, reflecting the fact that the future did not turn out as bright as envisioned by the Western world in the second part of the 20th century.

Such futures bring drastic changes not only to the natural environment but also to our social, cultural, economic, and political relationships, reshaping power relations and increasing social inequalities. All these global threats are present in the local community on an everyday basis and on multiple levels, from the social, economic, technological, and environmental to the psychological.

This complex context calls for reflection on how communities can work together to address specific, localized challenges. Historically, design and architecture, as worldmaking agents, have had the agility to explore diverse versions of the world using speculation and imagination. It is today’s challenge to revisit how design and architecture thinking and doing can contribute to reclaiming imaginations of the future and shape new, bright, and viable future paths. This is particularly relevant in an educational context where universities, research centers, and design and art institutions should be some of the most dynamic speculative spaces.
 
This symposium and the associated summer school seek to investigate these speculative, critical, and future-oriented practices in design and architecture, bringing together educators, thinkers, practitioners, social innovators, local communities, municipalities, and representatives from international and EU institutions. The event aims to foster new collaborations between diverse actors, starting from the bottom-up level, to explore and propose new fluid collaborative platforms for collective engagement, in order to discuss what is a better, i.e. a preferable future and for whom, and to create possible paths and actionable plans (in the here and now) toward those futures.

CURATOR

Dr Ivica Mitrović is an associate professor at the Department of Visual Communications Design at the Arts Academy (University of Split).

Since 2001, the focus of his critical and speculative design practice has been on the implications of important global topics in the local context, such as how recent and emerging technological, economic, social, political and environmental changes impact the Adriatic region. His work has been exhibited internationally (at the Venice Biennale, Milan Triennale, BIO Ljubljana, Vienna Biennale, and Media Architecture Biennale, among others). He has been invited as a lecturer, workshop leader and visiting professor to many international institutions (KTH Stockholm, Chalmers University, Umeå Institute of Design, Milan Polytechnic), festivals and conferences.

TEAM

CURATOR


Ivica Mitrović

Arts Academy, University of Split (UMAS)

EDITORIAL


Arts Academy, University of Split (UMAS)

Dora Vanette

ORGANISATIONAL TEAM


Simon Gmajner

Centre for Creativity (CzK)

Maja Šuštaršič

Museum of Architecture and Design (MAO)

EXPERT ADVISORS


Sara Božanić

Institute for Trenasmedia Design (ITD)

Anja Zorko

Centre for Creativity (CzK)

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EXPERT BOARD


Academy of Arts and Design (UL ALUO)

Boštjan Botas Kenda
Mario Ciarmitaro

IUAV–University of Venice

Peter Purg

School of Humanities of the University of Nova Gorica 

ORGANIZER


The Centre for Creativity and The Museum of Architecture and Design

Rusjanov trg 7, SI-1000 Ljubljana, Slovenia
+386 (0)1 548 42 70

info@czk.si